Marko Stojanović (Belgrade, 1984) is a composer, sound artist, and multimedia practitioner whose work explores the intersections of sound, space, memory, and technology.
He graduated from the Department of Recording and Sound Design at the Faculty of Dramatic Arts in Belgrade and later completed his doctoral studies in Interdisciplinary Arts at the University of Arts in Belgrade, specializing in Multimedia Art. His doctoral artistic research, conducted under the mentorship of Professor Srđan Hofman, culminated in the multimedia installation Sounds of Belgrade (2014), a site-specific work that transformed the urban soundscape of Belgrade into an immersive audiovisual experience presented at the plateau of the Faculty of Philosophy.
Stojanović’s relationship with sound began at an early age in the recording studio of his father, Dragan Stojanović (Studio Casablanca), where he was introduced to music production and recording practices. This formative environment shaped his enduring fascination with listening, sonic perception, and the expressive possibilities of recorded sound. Over the years, he has worked across a wide range of musical genres as a composer, producer, and recording engineer, while developing a distinctive artistic language rooted in sound.
Alongside his work in music production, Stojanović has continuously expanded his practice into the fields of multimedia and sound art. In 2010, he presented Konkretizator, an interactive audiovisual installation exhibited at the National Bank of Serbia Gallery as part of the SUTRA Festival. Since then, his artistic work has been characterized by an ongoing exploration of sound as both material and medium, often combining audio, visual, spatial, and interactive elements into immersive environments.
Soundscapes, urban environments, acoustic memory, and the relationship between listener and space remain recurring themes throughout his work. Through installations, compositions, and interdisciplinary projects, he investigates how sound can reveal hidden narratives, shape perception, and redefine our experience of place.
His works have been presented at numerous solo and group exhibitions in Serbia and abroad, including the Pavilion Cvijeta Zuzorić, Museum of Science and Technology, Museo Casa Cavazzini, and the GRAD European Centre for Culture and Debate.